A mockumentary about a small-town man who is abducted by aliens, meets a group of fellow abductees, leads a daring escape back to Earth, and in the process finds purpose, community, and love.

Much like the game of telephone we all played in elementary school, Narrative Telephone involves a group of friends telling and re-telling a short story from one person to the next; with only their memory to help them recount what they heard. As the story inevitably changes and distorts it becomes more and more outlandish and hilarious. They then gather to watch the results and react, comment, commiserate, and joke about the chaos that ensues.

After his mother is brutally murdered by the Triad in Thailand, Soo-hyun is adopted by NIS agent Kang Joong-ho, and he grows up with Min-ki like brothers. Min-ki and Soo-hyun both become NIS agents later on. One fateful day, Soo-hyun meets Ji-woo after last seeing her in Thailand when he was a child. They start dating. One day, Soo-hyun ruins a mission when the suppressed memories of the day his mother died surfaces in his mind. NIS Director Jung gives Soo-hyun an undercover assignment to infiltrate the Triad and Soo-hyun takes the job. Soo-hyun fakes his death and assumes a new identity to become a member of the Triad. With his fake identity and new name, he prowls the back alleys of Bangkok.

In this third volume of the Best of Tromadance, viewers can sample fifteen of the best films from the 2003 and 2004 Film Festivals totally over three hours. Titles include Giuseppe Andrews' "Dribble;" winner of the Tromadance / Kodak Independent Soul Award, Kevin Maher's "Monkey Brains," "Kung-Fu Kitties" and "Marijuana's Revenge" by the filmmaking team of Philip Gunn, Daniel Guiterrez and David Valdez. Also included are Matt and Greg Brookens' "Skunk Ape!?," Jamie Greco's "PDA Massacre" and others.

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You don't need a reason to party, but your wife not loving you anymore is a pretty good one.

For a man who was born with a silver spoon in his mouth, the suffering and hardships others go through every day are not something he can relate to. One day, he unexpectedly becomes involved in a murder incident. He meets a woman who is trapped in time by what happened. He is drawn to her, feeling responsible and guilt for what he had done. Before he can even realize, his feelings towards her grow. He struggles to find the truth so that he can allow himself to love her.

The latest series TIME, TIME, has released fitting photos that have created a buzz since the first image, revealing Pancake Khemanit as Melanie, the heiress of a wealthy business family. She is a working woman who is full of determination and has everything in life. But she loses everything when she drives through a mysterious tunnel that takes her 1 year into the future. Melanie finds out that she has become a missing person. Her father died of a broken heart. All the businesses belong to her half-brother. And her fiancé married and had a child with her best friend.

A dreamer sits by the grave of a deceased woman and loses all sense of time. Only when she turns into a white lily does he realise a hundred years have passed. Inspired by the surreal first story from Soseki Natsume’s collection of short stories Yume jūya (‘Ten Nights of Dreams’) from 1908, the composer and Holland Festival associate artist Ryuichi Sakamoto teamed up with director and visual artist Shiro Takatani to make a dreamlike opera. Taking inspiration from a Mugen Noh – traditional Japanese dance theatre with magical elements – Sakamoto explores the phenomenon of time and the relationship between humankind and nature. Against a dreamlike backdrop that seems to go on forever, the dancer Min Tanaka portrays ‘humanity’, and shō player Mayumi Miyata represents ‘nature’ through movement and sound/music. Sakamoto: ‘We live and we die. And after we die, our body becomes part of the next being. This is samsara itself, the life circle of life on earth. In dreams, those temporal structures are not linear. Everything is condensed’.